Whoops! I fell off the Blogosphere!
After a crazy weekend…
… And a Monday to gather my wits…
I’m climbing back on!
I figure I’ll just “count” posts up to 31, even if they don’t match the date.
So here goes POST #19…
Learning to Look for Light and Shadow…
Painting with different media provides different challenges in depicting light and shadow. I painted with acrylic paints when I was much younger, and always began with a dark background, building up to lighter colors. White highlights were the last thing added to an acrylic painting, such as the shine on an apple, or the twinkle in an eye.
In my 30’s, I took a watercolor painting class, and what a difference! Painting with transparent watercolor is completely opposite to painting with opaque acrylics. Because you can see through watercolor, you can’t just add white on top because the colors beneath will show through. Technically, there is no real “white” watercolor paint… most watercolor sets will offer some sort of opaque white pigment if you want to try to “fix” an area that you wanted to be white, but they don’t work very well. So how do you get white and other light colors?
You have to “save” the white. Basically, when painting with watercolor, you have to think ahead about where your lightest whitest colors will be, and paint “backward,” from lights to darks. If you want an area to be stark white, such as a highlight or gleam of sunlight, you can paint those spots with Masking Fluid. It’s sort of rubbery, so I like to keep a bar of soap nearby… you can suds up your brush on the soap before dipping it into your masking fluid. Oh… and use an old brush!
Once you have the white areas masked off, you can
paint a very light layer of paint over the entire object.
The lighter areas will be this color…
Since my light source is coming from the left,
the next step was to build up the darker colors
on the right side of the cream separator…
It works best to build up layers when the paint is still slightly wet…
Unless you want sharp lines, like you see on the legs.
When the paint is drier, you can use a “dry brush” technique
(As in not a sloppy wet brush) to add in the darker details…
And finally, you can remove the masking with a rubber masking eraser!
I’ll probably add in some more shadows later, using some grays mixed from the orange and blue, but isn’t it neat to see how you can show light and shadow with a single color? I actually love “looking for the light” when painting, and when I’ve been painting a lot, it seems that I find myself looking at everything in terms of lights and shadows. The more you “look for the light” and see how it shines in contrast to dark areas… the more you take notice of how the white of the paper even glows right through the other colors… the better your eyes are trained to recognize the light.
I think that’s pretty profound.
Thy Word is a lamp unto my feet,
and a light unto my path.
See all the blog posts about making
Pie from Scratch!
by clicking below!